ENTERTAINMENT

The Dell President’s Day Sale is officially under way. This is usually one of Dell’s biggest sale events of the entire year, rivalling the discounts we see during Back to School and Black Friday, both of which are months away. Normally, this would be one of the best times to buy a Dell gaming PC or laptop during the first half of the year. This year, Dell has definitely put more of an emphasis on moving its gaming laptops. While the prebuilt gaming PC deals aren’t as prevalent, there are plenty of excellent deals on Alienware m-series and x-series laptops to be found.

Dell and Alienware Coupons

Dell and Alienware Gaming PC Deals

Dell and Alienware Gaming Laptop Deals

Dell and Alienware Gaming Monitor Deals

You can quickly browse through all of the listed products on sale above. See below for our favorite picks.

Alienware Area-51 RTX 5080 Up for Preorder

Alienware Aurora R16 RTX 4090 Gaming PC

Alienware Aurora R16 RTX 4070 Ti Super Gaming PC

Alienware m16 Gaming Laptops

Alienware x16 R2 Gaming Laptops

Alienware m18 R2 Gaming Laptops

Dell G-Series Gaming Laptops

The Fell Omen bosses of Elden Ring are infamous at this point, so it’s nice to see that with Elden Ring Nightreign, FromSoftware has let them loose upon the Lands Between.

Morgott, whom Elden Ring players had to fight later on in the game’s campaign, is one such infamous boss. His phantom versions can pop out and surprise you throughout the campaign, and it seems like that particular facet of Morgott made it into Nightreign, where an unnamed Fell Omen (essentially an upgraded Morgott) can jump-scare invade players.

While Morgott isn’t the only boss that can invade your squad as you run through Nightreign, he is a very fitting invader. Not only does it line up with his surprise appearances in Elden Ring, but he even gets some extra voice lines and a few new moves to throw at you. If you get to bring two pals to the fight, it’s only fair Morgott gets some new moves!

While he can invade you, the Fell Omen can also appear as an end-of-night boss, one of the conclusive fights you can face as the sun sets in the Elden Ring Nightreign test.

How did morgott even manage to sneak into nightreign to fight us. generational hater this is like the 5th time pic.twitter.com/t7euCmkBRy

— Nightreign Countdown (@SoulsCountdowns) February 16, 2025

Plenty of early testers, including the player behind Let Me Solo Her, took on the Fell Omen during the Elden Ring Nightreign sessions that took place over the weekend. The consensus? Morgott/Margit/Fell Omen is a great hater.

One player on the Elden Ring Nightreign subreddit described Morgott’s invasion mechanic as one of their favorite features, and in more threads, others shared where they were invaded. Whether as a night boss, on an elevator, or in a tower, Morgott seems ready to appear wherever, with some potentially hilarious consequences.

The Fell Omen’s sudden invasions have hopes high for other enemies to suddenly appear and attack the players. The Pursuer from Dark Souls 2, for example, would make a great candidate. Me, personally? I’d love to see some Hunters invade and attempt to take out players, but anything Bloodborne-related feels like a distant hope at best.

They buffed Margit in Elden Ring Nightreign bro was training with Vergil

Thankful for the one match I was able to play LOL pic.twitter.com/4RRQGSKmNa

— skum (@skumnut) February 14, 2025

There might even be deeper mechanics to Fell Omen invasions. GamesRadar detailed an invasion from the Omen that took out one of their co-op partners, and seemed to leave a curse mark branded on the slain player. It’ll be exciting to see how this game develops, especially as more players get hands-on time with it.

While the first network test was plagued by server issues, there were still a good number of players dropping into the Lands Between over the weekend. We’ll have to wait until May 30 to see how Nightreign fully shakes out, but until then, be sure to check out our own hands-on impressions with Elden Ring Nightreign here.

Eric is a freelance writer for IGN.

Presidents’ Day has arrived, and for many Americans that means the final day of a three-day weekend. It also means that pretty much every major retailer is having some sort of Presidents’ Day sale right now. Although it isn’t necessarily one of the biggest shopping events of the year, we’re seeing some surprisingly good deals on stuff across the board. Amazon, Best Buy, and many more are offering their best discounts of 2025 so far right now, but they end tonight.

We’ve been covering all of the best sales as they’ve gone live this week, but there are constantly new discounts popping up. Here is a quick rundown of what sales are worth shopping right now. To see our recommendations for each one, just click the ‘jump to details’ button on each card or scroll below.

The Best Presidents’ Day Sales Today

We will be updating this page with the latest deals as we find them. Each discount we feature on this page will be handpicked by our team to ensure the price is actually worth your time and money. You can check out our deals standards for more information on why you should trust us.

Amazon Presidents’ Day Sale

Best Buy Presidents’ Day Sale

Target 4-Day Sale

Lenovo Presidents’ Day Sale

Wayfair Presidents’ Day Sale

REI Presidents’ Day Sale

Home Depot Presidents’ Day Sale

DreamCloud Presidents’ Day sale

Macy’s Presidents’ Day Sale

Cleaner opens in theaters Friday, February 21.

Some villains you love to hate, some you hate to love. And then there are the ones that kind of have a point. In Cleaner, the latest drip into the bottomless mop bucket of Die Hard clones, masked eco-terrorists crash the London skyscraper soirée of a multinational energy corporation. They’re not secretly out for money like Hans Gruber and his goons. No, these are true believers – bleeding hearts ready to bleed Mother Earth’s enemies dry. And as the leader of the group (Clive Owen) lays out his master plan to crash the company, and the bigwig hostages start confessing at gunpoint to burying environmental impact reports and financially backing climate-change deniers, you really have to wonder: Who are we supposed to be rooting for here exactly?

That would be Joey Locke (Daisy Ridley), Britain’s limber female answer to John McClane. Gun-toting radicals are just one trouble facing this military vet, who makes ends meet up high, cleaning the windows of the tower HQ the bad guys seize. Joey is on thin ice with her boss (at least before he catches a bullet between the eyes), and stressed out by the full-time responsibility of looking after her autistic brother, Michael (Matthew Tuck), who keeps getting booted out of care facilities. Like many neurodivergent movie characters, Michael is also a computer wiz – one of several hoary tropes Cleaner dusts off over its brisk 96 minutes. Their shared traumatic backstory is another.

Joey spends an unusually large percentage of that runtime stuck on the side of the building. (Improbably, the high-rise cradle can only be operated by her boss from a control room above; stranding your cleaners on a rickety platform with no manual override protocol is yet another strike against a company that really seems to have it coming.) Ridley, clenching her jaw with Jedi-like determination, is a fine fit for the working-class hero routine, but she’s a long way from her tenure in a galaxy far, far away. The Star Wars curse is no joke: One minute you’re headlining the most popular movie franchise of them all, the next you’re mopping the floor with generic henchmen in Redbox fare.

Ridley isn’t the only blockbuster veteran slumming it here. The movie is directed by Martin Campbell, a proficient journeyman who used to make Hollywood event pictures (his Casino Royale is a dazzling, dizzying highpoint of the James Bond series) but now exclusively applies his chops to straightforward B-movies like The Foreigner and The Protégé. He’s dropped the definite article this time (Cleaner is cleaner, and a fine title for such a legible action vehicle) while still offering the kind of no-frills thrills that’s made him a favorite of adrenaline junkies with classical meat-and-potato sensibilities. The closest Campbell ever gets to flashiness is an early montage of Joey racing across town to make it to work on time, cutting off each expletive she utters with a cutaway.

In theory, this is the kind of genre exercise we’re supposed to cherish for its leanness and lack of pretensions – a blessed alternative to bloated effects spectacles. (It’s certainly a breezier time than The Rock’s adventure through a towering inferno, Skyscraper.) But Cleaner doesn’t have the juice, or enough distinguishing its Die Hardian antics from any other imitation’s. The dialogue is all clichés. “We are in,” brags the bad guys’ resident, obligatory hacker (Flavia Watson). “What we got?” asks the seasoned superintendent (Ruth Gemmell) late to the scene. “Find them!” bellows the other Gruber substitute (Taz Skylar), a more extreme extremist who wires the whole building to a wrist monitor, threatening to blow the place sky high if his pulse stops or even slows. Thankfully for the hostages, the device isn’t tracking our heart rate.

Cleaner has one halfway clever twist up its sleeve – a surprising reconfiguration of the villainous hierarchy. Otherwise, it mostly goes through the motions, one picked-off goon at a time. The most novel element might be the rather sympathetic motives of the antagonists, and how much method there is to their madness. But is that a productive tweak on formula? The rugged individualism of the Die Hard model gels uncomfortably with bad guys who are literally fighting for the greater good. You shouldn’t be wondering if these radicals deserve a newsletter or podcast instead of a long plummet to their doom.

Even if you don’t play Magic: The Gathering, you’ve probably caught wind of its numerous video game crossovers in recent years, including Fallout, Tomb Raider, and Assassin’s Creed. But today we’ve got an exclusive first look at one of the most exciting yet: Final Fantasy. And not just one Final Fantasy – from Terra to Y’shtola, four different mainline games are represented across the preconstructed Commander decks headlining the set.

Flip through the image gallery below for a first look at the lead card and packaging for each deck, and read on for a conversation with Wizards of the Coast about what to expect inside them, why these four games were picked, and plenty more.

Set to launch this June, Magic’s Final Fantasy crossover will be a fully draftable, Standard-legal set accompanied by the four preconstructed decks in the gallery above. Each of those includes 100 cards made up of both reprints of existing cards with new Final Fantasy art and brand new cards designed with Magic’s most popular format, Commander, in mind. And while Commander precons are always themed around certain characters, colors, or strategies, the twist with these is that each one is built around a single Final Fantasy game – specifically 6, 7, 10, and 14.

“Final Fantasy games are so rich with flavor, beloved characters, and unique settings that choosing a single game as the theme provided more than enough material to design a full deck of cards around,” says Senior Game Designer Daniel Holt, who is the Commander Lead for the set. “Approaching each deck as a single game also provided the opportunity to dive deep into the lore of each, capturing even more beloved moments from across the game’s storyline that we may not have been able to achieve otherwise.”

The team decided on these four Final Fantasy games based on a balance of what they wanted for the gameplay of each deck and how well known each story was overall. Holt says that while Final Fantasy 7 and 14 were clearer picks, 6 and 10 took more discussion to arrive at, but were chosen partially because they were favorites among the team. “This was one of those products where everyone in the building was invested in each stage of development, as we have so many passionate Final Fantasy fans in the building.”

Of course, even within those picks, there are some decisions you have to make about direction. For instance, Final Fantasy 7’s remake trilogy has been running alongside the development of this Magic set, so is its Commander precon telling the story of the original or its reality-bending reimagining? Dillon Deveney, Principal Narrative Game Designer at Wizards of the Coast and Narrative Lead for the set, says you’ll see a bit of both throughout that deck’s art, but the story itself will follow the 1997 classic.

“Our core approach to Final Fantasy VII was to capture the original PS1 game’s narrative, while using Final Fantasy VII Remake and Final Fantasy VII Rebirth’s modern aesthetics to push the fidelity of each character design, story moment, and memorable location to the next level,” Deveney explains. “With that in mind, if a scene existed in both games, we had our choice of showing it as the original game did, how the modern version interpreted it, or a unique fusion of both. Hopefully, this deck feels familiar and nostalgic to players of both the original game and the modern series!”

Speaking of nostalgia, Final Fantasy 6 is a trickier nut to crack in some ways as it lacks the more modern art references the other three games can provide. Deveney says they wanted to stick close to what fans would expect from its pixel art sprites and limited concept art while also expanding upon them, and hopes that “the character designs should feel like how you ‘remember’ them, despite being a hybridization of many different references and new ideas.” To help accomplish that, WOTC even consulted directly with the Final Fantasy 6 team as they updated these character to the standards needed for Magic art.

“We developed a workflow that asked concept artists and card artists to pull hallmark character designs from Yoshitaka Amano’s original (and legendary) concept art, the original FFVI sprites, and the FFVI Pixel Remaster character portraits, to synthesize the most consistent elements of each character’s design into something ‘new.’ We also encouraged our artists to punch up finer details and bsexplore elements where they thought they could push (fabric, patterns, textures, etc.) Then, we would meet with the Final Fantasy VI review team, and they would give us feedback on what core elements they wanted to preserve and what new elements they were excited about.”

So they had the four games decided, but when it comes to Commander, that’s only half the equation– WOTC also needed to figure out which characters would lead each deck. Cloud may be the obvious pick for 7, but Holt tells me the others involved some brainstorming. Celes was considered for 6 since the deck is focused around the World of Ruin and the second half of that game, while Yuna was considered for 10 as a fan-favorite. They ultimately decided to stick with the “lead” characters on those, but Final Fantasy 14 is an MMO, which presented its own problem.

“For Y’shtola, it came down to a mix of popularity of the character as well as being a spellcaster, her story and character development offered a wide range of abilities and moments to pull from to lead the deck,” Holt explains, going on to say this deck represents her specifically during her Shadowbringers arc. They did explore the concept of making a “Warrior of Light” commander players could make their own in some fashion, but Holt says those ideas had some “pretty in-depth executions,” and that your own personal hero still has plenty of moments in this deck even without being at the helm.

Now comes the question of figuring out how to fit an entire video game’s story, characters, and themes into a single deck and the carefully balanced restrictions of Magic’s five colors. “Building these decks called for us to decide color identity for the chosen game itself, but also the gameplay we desired from them,” says Holt, going on to point out that it’s no mistake all four include White, “for both theming and it helped cover the wide range of Heroes we wanted to include in each deck.”

As mentioned, the deck for 6 is centered on the latter half of that game – as such, it’s essentially all about rebuilding your party by bringing other creatures back from your graveyard. For 7, Cloud wielding a big sword lines up nicely with the equipment strategies of a white-red Magic deck, but Holt says that “adding green to the mix let us tie in the ‘power matters’ cards and cards that reference the Planet and lifestream.”

While Tidus’ ability to pass counters around might lead you to think the deck for 10 is all about Blitzball, this classic white-blue-green strategy actually primarily came from the idea of that game’s Sphere Grid leveling system as a way to empower your creatures. Holt also admits that the theme for 14 was tricky to land on, but its white-blue-black color identity allowed them to lean into a noncreature spell casting theme while also including the characters they wanted to.

Last but not least, Commander might be all about your leader, but RPGs are often about your party as a whole, and WOTC won’t leave the supporting casts of these games hanging. “Final Fantasy games are full of loveable AND villainous characters and getting them in these decks was very important,” Holt says. “While I can’t talk specifics on who is included in each deck or their abilities just yet, fans can expect to see some of their favorite characters in the 99 of each deck as new legendary creatures and captured in action on other exciting spells.”

Magic’s Final Fantasy set will release on June 13, and if you don’t see your personal favorite Final Fantasy game or character here (or even if you do), don’t worry – Holt assures me that “all sixteen of the mainline games will have their moments to shine in the accompanying products.”

Returning to the same territory as the Warhammer 40,000 Commander decks from 2022, all four of these decks will be available in both a regular version (MSRP $69.99) and a Collector’s Edition (MSRP $149.99), the latter of which will feature all 100 of the cards in each deck in a special Surge foil treatment.

Read on for the full, unedited interview with Wizards of the Coast’s Daniel Holt and Dillon Deveney:

IGN: Why did you decide to build each commander deck around a whole game this time?

Daniel Holt, Senior Game Designer: Final Fantasy games are so rich with flavor, beloved characters, and unique settings that choosing a single game as the theme provided more than enough material to design a full deck of cards around. Approaching each deck as a single game also provided the opportunity to dive deep into the lore of each, capturing even more beloved moments from across the game’s storyline that we may not have been able to achieve otherwise.

How did you land on these four games specifically? Were there any close runner-ups you considered?

DH: In exploratory design, before getting too deep into deckbuilding and card design, we brainstormed what games offered the most for what gameplay we wanted with the decks as well as being the more commonly known storylines among the audience. Final Fantasy VII being one of the more referenced games in media made it a strong first contender. Final Fantasy XIV offered a unique gamestyle, that of an MMO, and has SO MANY active players that we knew we could delight this group by selecting it as one of the four. After that, it became a bit more of a team discussion. Final Fantasy X is a favorite of mine and Zakeel, the FIN Product Architect, so we were a little biased in choosing it. Final Fantasy VI touched the pixel era of games and was a favorite of several other designers in the studio. So with that, we ended up with our four game selects! That said, all sixteen of the mainline games will have their moments to shine in the accompanying products.

Should we expect reprint art/lands/etc. within each deck to also be tied to each game?

DH: Absolutely! We want players to feel like they are entering the world of that game as they summon creatures and cast spells from it. This means that the nonland reprints are placed from within that deck’s game, while lands can appear from any of the four games included in the product.

Can you talk a bit about your approach to Magic’s color identities across these decks as it relates to Final Fantasy – why these colors for these characters/games?

DH: Building these decks called for us to decide color identity for the chosen game itself, but also the gameplay we desired from them. Being three colors each did help me have a wider range of options to apply to different characters and moments within the game. For example, you’ll notice all four decks include White in their color identity for both theming and it helped cover the wide range of Heroes we wanted to include in each deck.

Final Fantasy VI – This is a graveyard reanimator deck, so white-black-red was a great fit — gaining access to discard and mill effects in BR and ‘return from graveyard’ effects from WB. Thematically this deck rebuilds its large ensemble of characters in the World of Ruin, so the deck theme really plays into that section of the story.

Final Fantasy VII – As an equipment matters deck, white-red is well-known for that archetype in Magic and showcases this group’s iconic weaponry and battle prowess. Adding green to the mix let us tie in the ‘power matters’ cards and cards that reference the Planet and lifestream.

Final Fantasy X – White-blue-green counters are a classic staple in Magic deckbuilding and having access to all three here really let us build out a whole deck about moving the counters on the board and leveling up your team.

Final Fantasy XIV – This deck was tricky to land on, but by being white-blue-black, we had access to the colors we needed for the characters we wanted to include, but also be a noncreature matters theme, representing spell casting and ability usage you perform as the player while playing the Final Fantasy XIV game!

Terra, Cloud, and Tidus are the clear picks for their games, but how did you land on Y’shtola for Final Fantasy 14?

DH: I won’t deny that Cloud was a pretty obvious choice for the face commander of the Final Fantasy VII deck. The others went through a few rounds of brainstorming though! In Final Fantasy VI, since we were focusing on the themes of the second half of the game, Celes was actually a big contender for the lead. And with Final Fantasy X, we know Yuna is a fan favorite and could have led the deck to success. We ultimately landed on ‘the main protagonist’ character for each of these titles, resulting in Terra and Tidus filling those slots respectively; though Final Fantasy VI is an ensemble cast, Terra is often portrayed as the face of the series.

For Y’shtola, it came down to a mix of popularity of the character as well as being a spellcaster, her story and character development offered a wide range of abilities and moments to pull from to lead the deck.

Was using the Warrior of Light as the lead ever on the table, perhaps with some sort of background/class system to let players customize their precon?

DH: You caught me! We did explore card designs and themes around the Warrior of Light with some…pretty in-depth executions, before ultimately landing on Y’shtola as the commander. That said, there are still plenty of ‘Warrior of Light’ moments in the deck!

7, 10, and 14 have plenty of modern references when it comes to Magic-style art, but you’re pulling from a comparatively smaller pool for 6. Did you feel like there was more freedom to define your own look for those characters, or did you try to stick as closely to what was out there as possible?

Dillon Deveney, Principal Narrative Game Designer: I love this question! We wanted to stick closely to what fans remembered about these characters, while looking to merge the two major aesthetics of FFVI: the concept art and the in-game sprites. There was a lot of freedom in this approach, while trying to stick closely to the original designs. We worked directly with the Final Fantasy VI team to determine the aesthetics, designs, and costumes of the FFVI characters and world. To do that, we developed a workflow that asked concept artists and card artists to pull hallmark character designs from Yoshitaka Amano’s original (and legendary) concept art, the original FFVI sprites, and the FFVI Pixel Remaster character portraits, to synthesize the most consistent elements of each character’s design into something ‘new.’ We also encouraged our artists to punch up finer details and explore elements where they thought they could push (fabric, patterns, textures, etc.) Then, we would meet with the Final Fantasy VI review team, and they would give us feedback on what core elements they wanted to preserve and what new elements they were excited about. Ultimately, it’s our hope that the character designs should feel like how you ‘remember’ them, despite being a hybridization of many different references and new ideas.

Conversely, was there more pressure to get a character like Y’shtola exactly right when fans know so precisely what she looks like?

DH: From the game design side for each of these popular characters, this was one of those products where everyone in the building was invested in each stage of development, as we have so many passionate Final Fantasy fans in the building. At every playtest of the decks, I would get feedback about coworkers’ favorite characters, story moments, etc. that they wanted to make sure got included and implemented properly.

Some characters, like Y’shtola, have such deep character development throughout portions of their game. Each card that depicts one of those types of characters needed to capture them at a specific point in time of their story. For the Final Fantasy XIV commander deck, we have Y’shtola in the Shadowbringers arc where she has become a talented spell caster.

For the Final Fantasy 7 deck, did the recent remake series influence or impact your thinking/designs much, or were you mostly looking toward the original here?

DH: We had the fortunate overlap of some of the remake game series releasing WHILE we worked on this set. So it was a really cool experience getting to leave work, go home, and play games featuring the characters of cards I was designing in a ‘new’ video game.

DD: Our core approach to Final Fantasy VII was to capture the original PS1 game’s narrative, while using Final Fantasy VII Remake and Final Fantasy VII Rebirth’s modern aesthetics to push the fidelity of each character design, story moment, and memorable location to the next level. You will see a mix of classic FFVII moments and modern FFVII visuals in the deck, but generally, the product is intended to follow the original game’s story. With that in mind, if a scene existed in both games, we had our choice of showing it as the original game did, how the modern version interpreted it, or a unique fusion of both. Hopefully, this deck feels familiar and nostalgic to players of both the original game and the modern series!

It’s super cute that Tidus is all about passing counters around like a ball. Did you know this was going to be a counter deck already or did counters come from exploring Blitzball as a concept?

DH: Everyone loves Blitzball! People in the office got a ‘kick’ out of every time we mentioned it or referenced it somewhere in the product. But when starting the Final Fantasy X deck, the actual theming of counters came from the Sphere Grid experience system used in the game. This system is visually portrayed as a board where you add colored markers on the tracks to gain new abilities. In commander, I wanted to capture that idea by filling the deck with +1/+1 and other counters and then moving them around your team for added abilities!

Commander is all about your leader, but what is an RPG without a party – was it important to y’all to also highlight the folk supporting these leads within each deck?

DH: Of course! Final Fantasy games are full of loveable AND villainous characters and getting them in these decks was very important. While I can’t talk specifics on who is included in each deck or their abilities just yet, fans can expect to see some of their favorite characters in the 99 of each deck as new legendary creatures and captured in action on other exciting spells.

I assume a popular character like Cloud is going to be on more than just this card in the same way Frodo or Galadriel were in the Lord of the Rings set – I know you can’t get into main set spoilers here, but is there anything about designing around these characters for a commander-only product that you enjoy getting to do differently from a product that has to be in Standard?

DH: I think it’s safe to say you’ll see some characters making multiple appearances in the product and each is appealing to different kinds of players. With the ones we see here, they are all ‘commander-sized’, meaning they are aimed to be exciting in the commander format, both in and out of the precon. All the legends in these decks have a unified goal of working together within their deck’s theme and it’s fun building cards like this to have that creative team synergy, whether that’s say…interacting with counters in Final Fantasy X or playing with the graveyard in Final Fantasy VI. On the other hand, legends in the main set can be designs built around the character independently of other cards to spark new archetypes of decks.

Tom Marks is IGN’s Executive Reviews Editor. He loves card games, puzzles, platformers, puzzle-platformers, and lots more.

Ever since he hung up his Captain America shield in Avengers: Endgame, there have been rumours that Chris Evans is returning to the Marvel Cinematic Universe to play Steve Rogers once again. It’s a suggestion he’s repeatedly denied, claiming that he’s “happily retired.” But this is one rumour he’ll likely need to continue batting away, its persistence driven by one key thing: in comic books, no one really dies.

Death and rebirth is a significant recurring event in the world of comics, and the original Captain America is no stranger to it. The assassination of Steve Rogers in the wake of Marvel’s 2007 Civil War storyline was a major moment in modern comic book history, and it resulted in another recurring comic book event – the passing of the mantle. In this case, it was Bucky Barnes who became Marvel’s new Captain America. But the position, much like Steve’s death, would prove to be temporary. Of course there was a way to bring Rogers back from the dead, a way to explain away the fatal bullet. And so Steve Rogers was put back in his “rightful” place.

Several years later, Marvel (sort of) did it again. Steve’s super-soldier serum was neutralized, turning him into a feeble old man incapable of carrying the shield (not to mention beating up bad guys). And this time it was Sam Wilson, AKA The Falcon, who stepped up to become the new Captain America. It’s this storyline that paved the road towards the MCU’s Falcon, Anthony Mackie, becoming the titular star of Captain America: Brave New World.