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Jim Thompson has commemorated its 75th anniversary with the release of “Jim Thompson: Beyond Silk, Beyond Thailand”, the brand’s first coffee table book. Published in partnership with luxury publisher Assouline, the title was unveiled at an international launch held at the Assouline boutique in Saint-Germain-des-Prés, Paris.

The Paris premiere reflects Jim Thompson’s continued expansion beyond its Thai roots and positions the brand within a global cultural context. The launch event featured a curated bookshelf installation dedicated to the brand, alongside presentations by Frank Cancelloni, group CEO of Jim Thompson and Alexandre Assouline, president of Assouline. Guests included representatives from the Royal Thai Embassy in Paris, the Department of International Trade Promotion of Thailand, the Ministry of Commerce and Thai Airways.

Founded in 1951 by James H.W. Thompson, Jim Thompson played a central role in reviving Thailand’s silk industry and introducing Thai textiles to an international audience. Over the decades, the company has grown from a silk producer into a lifestyle brand spanning fashion, interiors, hospitality and food and beverage.

The book documents this evolution through newly commissioned photography by Chris Schalkx, supported by archival and brand imagery, with text by journalist Stephen Wallis. Across its pages, the publication traces the brand’s commitment to Thai craftsmanship while examining how contemporary design and technology have shaped its identity today.

Beyond chronicling silk production, the book explores Jim Thompson’s wider cultural footprint, including its presence in global hotels, interior projects and creative collaborations. It also reflects on the legacy of its founder — often referred to as the “Thai Silk King” — whose life (and disappearance) remain an enduring part of the brand’s mythology.

Frank Cancelloni described the publication as a reflection of both heritage and ambition, noting that the brand continues to look beyond silk and beyond Thailand as it builds towards becoming Asia’s first global lifestyle brand. Alexandre Assouline added that the project represents a shared commitment to cultural preservation, craftsmanship and creative storytelling.

“Jim Thompson: Beyond Silk, Beyond Thailand” is available in two editions. The Classic edition features a hardback cover with archival imagery and contains 286 pages of full-colour photography. The Silk Slipcase edition is presented in a case crafted from handwoven Thai silk in the brand’s signature cinnabar red. Both editions are available in English, French, Japanese and Chinese.

The book is available at select Jim Thompson stores in Thailand and online at jimthompson.com, with worldwide shipping. The Classic edition is also distributed through Assouline’s global retail network and via assouline.com.

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As 2026 ushers in the year of the fire horse, LUXUO identifies eight interior trends shaped by the zodiac’s defining traits of speed, confidence and forward momentum. These shifts point to spaces that are more expressive and less restrained, reflecting a growing appetite for interiors that utilise physical space with individual character rather than quiet neutrality.

Red is Not Just Red

Left: Orange is a hue of red’s spectrum, so using it as a feature wall in this home can be the right choice. Image: Floorsanding.com Right: A peach-focused theme in this interior features a coral-pink sofa and rouge wall in the dining space. Image: @Rose Aki Home.by.me.

One has to be confident about using red and the right time to use it is in 2026 for the fire horse year. Firstly, one must understand that red moves beyond an accent colour and it becomes a structural element in interiors — shaping one’s mood within a space. Deep reds are applied to walls, cabinetry and upholstery to create rooms that feel grounded. The colour red is not just limited to crimson or scarlet — it embraces the full spectrum of colours of fire. This includes hues such as orange, vermillion, amber, burnt sienna, terracotta, rust, ochre, copper, tangerine, peach, coral, apricot and salmon, to name a few.

Interior designers are starting to favour controlled saturation rather than decorative splashes, pairing reds or oranges with mineral surfaces and matte finishes to prevent excess. This approach mirrors the fashion industry’s return to powerful colour statements. Beyond walls and furniture, red lighting accents, artwork and curated objects reinforce this colour theme. Shades of red also interact with natural light, intensifying warmth or softening intensity depending on the time of day. This spectrum of fiery hues mirrors the Fire Horse’s energy, infusing spaces with vitality and forward momentum.

In the historic city of Suzhuo, China, a 1000-square-metre residence marries the spirit of Jiangnan aesthetics with contemporary furnishings. The living area opens onto a generous internal garden and to complement the verdant view, Living Divani’s Extrasoft sofa modules in burnt sienna provide an inviting space and comfortable seating. The dynamic modularity of the sofa not only becomes the focal point of everyday life but the seating’s colour anchors the interior to create a convivial living space to relax and mingle.

Patterns That Drive Visual Momentum

If you think patterns are passe, think again. One can gain confidence by deploying it judiciously. The power of patterns in 2026 is used to generate visual “movement” rather than serve as ornamental decoration. Geometric repeats, enlarged motifs and directional layouts introduce rhythm into interiors that might otherwise feel static. Floors, walls and soft furnishings are treated as part of a single visual system, encouraging continuity rather than contrast. The effect is immersive and a deliberate rejection of nostalgia or neutrality. Patterns can be used as a tool for curating spatial energy and identity. Designers are also exploring layered patterns, mixing traditional motifs with modern graphics to heighten visual interest and break uniformity. Subtle variations in texture and scale add additional movement and tactile interest to interiors.

Do not be misled by the eight-key Macalister Mansion’s colonial façade. The design intent reveals itself indoors, where contemporary interventions define the experience. In selected guestrooms, bathrooms are anchored by mosaic feature walls depicting pixelated damask motifs. The enlarged pattern introduces scale and visual tension, offset by restrained lighting and Duravit sanitary ware. Geometry and repetition are used to establish rhythm, proving how surface treatment alone can recalibrate an everyday space and heighten sensory engagement. Just as the Fire Horse gallops with speed and confidence, these dynamic patterns propel the eye across the room, creating rhythm and motion.

Curved Forms Lead Spatial Flow

As many architects and interior designers are moving away from linearity, curves of all manner and form are now at the forefront of interior and architecture trends. Furniture and architecture in 2026 increasingly rely on curved forms to guide circulation and soften spatial transitions. Curved layouts echo the horse’s graceful, flowing movement, allowing interiors to move with ease and natural energy.

Rounded sofas, elliptical tables and arched thresholds replace rigid layouts, creating interiors that feel more fluid and socially oriented. These shapes support movement and interaction while reducing visual tension. The trend reflects a broader rejection of hard minimalism in favour of comfort and continuity. Curved partitions, archways and rounded cabinetry further reinforce organic movement, while lighting and accessories are selected to echo these soft lines. Designers are considering ergonomics and human scale when implementing curves to ensure the space feels welcoming and sophisticated.

Opened in February 2025, the 234-key Meliá Pattaya Hotel is a design-forward hospitality project overlooking the Gulf of Thailand. Public spaces are anchored by a rooftop Chinese restaurant, alongside a spa and a mix of dining concepts spanning Thai and Japanese-Peruvian cuisines. The interiors blend modern luxury with Thai sensibilities, drawing subtle cues from the Mediterranean coast — where the hotel’s Spanish roots are founded. In the guestrooms, soft curves define the architecture, from arched doorways to shaped mirror frames and recessed ceiling alcoves.

Feature walls are marked by graphic interpretations of rolling blue waves, offering a restrained visual link to Pattaya’s coastline and reinforcing the hotel’s relaxed, resort-driven identity. Nodding to more curved architecture, the lobby’s sinuous interior details are evidenced in the arched alcove LED lights that come together as pixels to create a vivid design on the ceiling. Take inspiration from curved interiors by making a trip down to Meliá Pattaya Hotel and perhaps have a greater understanding and appreciation of how sinuous design can be purposeful and relevant in 2026.

The Ceiling Takes Centre Stage

Ceilings in 2026 are treated as deliberate design surfaces rather than passive backdrops. By thinking of this surface as the fifth wall, many designers are embracing it as a forward-thinking idea of dressing it up. Colour, texture and architectural detailing are used to establish hierarchy and mood — particularly in living and dining areas. Designers introduce plaster reliefs, timber panelling or integrated lighting grids to draw the eye upward and reinforce proportion.

This renewed focus adds depth without increasing clutter. Ceilings can also incorporate murals, acoustic solutions or subtle metallic finishes to enhance drama. Layered lighting, coffered patterns and recessed coves further shape ambience, while sculptural elements or reflective surfaces create movement and intrigue. Such treatments allow architects and interior designers to craft vertical storytelling, turning overhead spaces into experiential features that actively define the character and rhythm of a room. Elevating the ceiling reflects the Fire Horse’s upward momentum, drawing the eye skyward and energising the space.

Treat the ceiling as a fifth wall rather than an afterthought. It can anchor an entire design scheme when handled with intent. In rooms featuring a Regency-style chandelier, a custom hand-painted silver-gilt paper treatment can heighten drama without overwhelming the space. This approach is evident in a Chinese salon in Seville, reimagined by Spanish architect and interior decorator Amaro Sánchez de Moya. The room was designed around a Regency chandelier sourced from a Paris flea market. Its presence informed the use of gleaming silver-gilt paper overhead, paired with bespoke sofas upholstered in Nobilis velvet and a Gastón y Daniela damask.

Texture as a Primary Design Tool

Take confidence in using textures in interiors. Many designers are now realising that textures in spatial contexts can be a powerful tool to define zones, create depth and introduce tactile interest, transforming flat surfaces into engaging, layered environments without relying solely on colour or pattern. Texture can be used to balance bolder colour and form.

Layered textures mimic the horse’s layered strength and agility, adding tactile depth that embodies resilience and vitality. Bouclé, raw timber, brushed stone and plastered surfaces introduce tactility that tempers visual intensity. These materials are layered with intent, creating spaces that feel robust and lived in. Texture functions as a grounding device, particularly in expressive interiors. Designers also integrate mixed finishes, such as glossy ceramics beside matte stone or soft textiles against polished metals to heighten sensory contrast. Strategic layering ensures that interiors feel dynamic while remaining harmonious, encouraging closer inspection and tactile engagement.

The newly opened, 150-seat Stags Head Steakhouse at Pan Pacific Marina draws on neo-Georgian architectural principles, reinterpreting classic British proportions, intricate wood panelling and ceiling treatments through a contemporary lens. Designed by global hospitality studio EDG, the interiors aim to create a rich, layered setting to complement the restaurant’s menu, which centres on wood-fired F1 Wagyu and classic steak cuts under executive chef Oliver Hyde. References to Georgian and Edwardian dining halls are evident, where order, proportion and material richness shaped the mood of formal gatherings and gentlemen’s clubs. To achieve this, the main dining room features walnut timber throughout, paired with tailored drapery, Italian leather upholstery on chairs and banquettes and bespoke metal detailing in the light fittings.

Hyde opines, “Stags Head Steakhouse is built around a very honest and steadfast promise — that every plate that leaves the pass has to respect the animal, the craft and the guest. We also believe the rich, layered interiors should complement the meal to create a stellar dining experience.”

Technology That Supports Movement

Move with speed and efficiency like a horse pulling a carriage. A smart home with technology accessible in an instant is the ultimate enabler, allowing spaces to adapt seamlessly to one’s needs while maintaining comfort, control and style. Smart technology in 2026 interiors prioritises adaptability and ease rather than display. Lighting, climate and sound systems respond to daily patterns, allowing spaces to shift function throughout the day. Integration is discreet, preserving visual coherence while improving comfort. This reflects a broader expectation that interiors should move with their occupants, not restrict them.

Like the Fire Horse, technology enables fluid, confident movement through space, empowering inhabitants to act with foresight and precision. Designers focus on invisible integration, ensuring that controls are intuitive and interfaces blend with surfaces. Automation extends to window treatments, energy management and environmental monitoring, creating interiors that are efficient without detracting from aesthetic appeal.

Smart technology in modern interiors should enhance comfort and function without dominating aesthetics. Integrate IoT-connected (for example Internet of Things) lighting, climate and sound systems that adapt to daily routines and natural light. Conceal controls behind finishes, use voice or app operation for simplicity and link devices through unified networks so spaces feel intuitive and responsive rather than cluttered by visible tech. Smart lighting systems contribute to home security by simulating occupancy when no one is home. Timers and remote control features allow users to create schedules or control lights from anywhere, deterring potential intruders. Integration with other smart security devices — such as cameras and alarms — further enhances the safety of the home.

Material Contrast with Intent

Embolden oneself with confidence by combining multiple materials in any interior setting. Thoughtful layering of wood, stone, metal, textiles and glass can define zones, add depth and create tactile interest, transforming flat or predictable spaces into dynamic environments that feel curated, intentional and visually engaging without overwhelming the overall design.

Interiors in 2026 rely on purposeful material contrast to create tension and clarity. Burnished metals meet untreated stone, dark timbers sit alongside polished surfaces and glossy finishes offset raw textures. These pairings emphasise craftsmanship and longevity rather than trend-driven novelty. Designers are using subtle colour harmonies and reflective elements to link contrasting materials, ensuring cohesion. Attention to ageing and patina helps to retain authenticity, while considered detailing highlights each material’s inherent qualities. The juxtaposition of surfaces mirrors the Fire Horse’s balance of power and elegance, reinforcing spaces that are dynamic yet harmonious.

Macalister Mansion is a design-led boutique hotel where a restrained colonial façade gives way to carefully layered interiors. Across just eight guestrooms, the hotel leans into material richness: coloured marbles from Italy, Turkey, Albania and China define each room category, paired with bespoke carpets, commissioned artworks and tailored joinery. Take inspiration from the hotel’s modern colonial interiors — exposed truss beams, wrought-iron balconies and a spiral staircase to the turret preserve architectural character without nostalgia.

Rooms are grouped into MMesmeric, MMarvel and MMonarch collections, each differing in scale, layout and marble palette, yet unified by calm tones and considered detailing. Restored in 2012, the century-old mansion feels intimate and personal yet contemporary. Bathrooms are finished in silver-and-white mosaic patterns, while bedrooms prioritise generous proportions, considered lighting and tactile furnishings. Shared spaces — including a reading landing, poolside garden and bar — extend the interior language, creating a quiet rhythm between heritage structure and contemporary hospitality design.

Intentional Clutter and Personal Curation

Be bold and confident in curating space with “intentional clutter”. Transform a wall shelf into a gallery of ceramic treasures gathered from travels or create a vertical display celebrating a collection of vinyl records, letting personal objects tell a story while adding depth, texture and personality to the interiors.

Curated displays echo the Fire Horse’s individuality and boldness, letting personality and confidence shine through in every corner. Intentional clutter is the art of layering personal objects to create a lived-in, meaningful interior. Success lies in curation, each piece — whether a travel souvenir, antique or found object — earns its place. Group items into small vignettes on shelves, tables or mantels, mixing heights, textures and materials to maintain visual interest. Combine vintage and contemporary objects to add depth, while keeping surfaces partially clear to avoid a chaotic feel. Functional items — books, kitchenware, textiles — can double as décor, reinforcing utility. Regularly rotate or refresh displays to reflect evolving tastes and experiences. Done well, intentional clutter balances personal narrative with compositional order, resulting in spaces that feel authentic, expressive and inviting without appearing messy. It celebrates individuality while maintaining cohesion, letting every object contribute to a story.

Therefore, interiors with intentional clutter feel purposeful when personal objects anchor the scheme. A cabinet bought in Marrakesh sits comfortably beside a mid-century chair found at an antiques fair, while a charity shop vase punctuates a modern console. Balance comes from colour, proportion and context, letting each piece speak without dominating. Grouping objects into vignettes, rotating displays and leaving breathing space enhances cohesion, allowing each item to tell its story. An interior with character speaks boldly about the homeowner’s love for layered environments because the individual decor pieces work cohesively with the furniture, lighting, room colour and even surfaces.

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In a bid to appeal to a growing East and Southeast Asian market, luxury fashion brands are increasingly integrating local cultural references into their global design narratives by leveraging Lunar New Year capsule collections to deliver products that are both culturally impactful and desirable. For 2026, the Year of the Horse has inspired a wave of curated offerings that reinterpret traditional symbols — from zodiac motifs and good fortune iconography to folk tales and Chinese craftsmanship — across ready-to-wear, accessories and lifestyle pieces. These collections serve multiple purposes: they reinforce brand relevance in key Asian markets, provide regionally focused storytelling, and offer collectors exclusive, highly detailed pieces that extend beyond standard seasonal releases. Utilising short films with star-studded casts, immersive installations and collaborations with local artists, these capsule collections translate festive traditions into contemporary fashion experiences that resonate both culturally and commercially.

Dior by Jonathan Anderson

Centered on the Year of the Horse, Dior’s creative director Jonathan Anderson has unveiled a Lunar New Year capsule collection that draws on themes of luck, vitality and renewal. A highlight motif is the Dior Clover Garden — a reinterpretation of the 18th-century pastoral toile de Jouy, now infused with luminous four-leaf clovers and horse illustrations that reference the zodiac. This design is applied across ready-to-wear pieces including skirts, jackets, jeans and shirts, as well as accessories such as silk scarves, Mitzah bags and sneakers, creating a cohesive visual language that bridges fashion and cultural storytelling.

Iconography associated with good fortune — particularly the horseshoe — appears in jewellery and charms, reinforcing the zodiac theme throughout the collection. Dior’s signature bags — including the Lady Dior and Dior Book Tote — are presented in shades of pink, echoing the colour’s association with joy and femininity within the Maison’s heritage. By integrating these zodiac-inspired motifs into both apparel and accessories, Dior delivers a capsule that sees the amalgamation of traditional references with contemporary design, offering limited-edition pieces that celebrate the festive spirit of the Lunar New Year without seeming like a performative gesture to appeal to a growing Asian market.

LOEWE

LOEWE celebrates the Year of the Horse with a Lunar New Year capsule that draws directly on Chinese artistic traditions. At the centre of the campaign is an animated short film co-created with Shanghai Animation Film Studio, following a young horse tasked with fetching lanterns for its village. Along the way, it meets a deer, a platypus, and LOEWE Global Brand Ambassador Wang Yibo, reflecting the themes of courage and self-belief from Peng Wenxi’s fable “Little Horse Crossing the River”. The film also demonstrates LOEWE’s ongoing collaboration with Chinese animation studios and its engagement with literary and visual storytelling.

The 2026 collection translates the horse motif into products across ready-to-wear and accessories. Special editions of the Puzzle and Amazona 31 cropped bags feature hand-knotted fringes and tassels reminiscent of a horse’s mane, while charms and dice echo the zodiac animal. A leather overshirt —created for Wang Yibo and worn by him in the short film — will be sold exclusively in select Chinese stores. The campaign, photographed by Nick Yang and including model Wei Yiting, visually links the collection’s motifs with the film’s narrative.

LOEWE is also staging lantern installations in Shanghai, Chengdu, and Nanjing to accompany the collection. At CASA LOEWE Shanghai, lanterns inspired by the film’s characters and landscapes will fill the garden square, while at LOEWE Gaozhai, Chengdu, sun and horse lanterns will complement the New Year window displays. In Nanjing’s historic Yuyuan Garden, lanterns integrating LOEWE designs with the site’s architecture will provide a public celebration of the festival. LOEWE tapping into tier-two and select tier-three cities alongside leveraging China’s explosive growth in short-form drama content highlights luxury fashion’s strategic focus on the Asian market.

Loro Piana

Loro Piana honours the Year of the Horse with a capsule collection that combines heritage sportswear and subtle equestrian references. Central to the offering is a reimagined version of the Horsey jacket for men and women — retaining signature features from the 1992 original created for the Italian show jumping team, including patch pockets, a stand-up collar with anti-rain and anti-wind flap and concealed horn buttons. The jacket bears the Maison’s Blue Label marking iconic sportswear pieces, while a delicate paisley print — the Chandani Horse — weaves the horse motif into women’s garments, scarves, slippers and the Extra Pocket L19 bag.

Women’s looks — such as the Cellina parka, vest and jogging pants — mix structured tailoring with relaxed fluidity, crafted from exclusive mouliné wool, linen and silk jersey. Men’s pieces emphasise ease of movement through cashmere knitwear, jersey trousers and outerwear in earthy tones, made from Sea Island Cotton and other refined materials. Accessories include Tennis Walk shoes in leather or canvas and a Moonlight gift set in Baby Cashmere for newborns. The collection, available in Loro Piana boutiques across China, South Korea, South Asia and Japan, demonstrates the Maison’s ongoing focus on understated tactile craftsmanship while integrating zodiac-inspired symbolism.

Balenciaga

Balenciaga’s 2026 New Year Series marks the Year of the Horse with a collection that combines oversized graphics, signature logomarks and zodiac-inspired accessories. The ready-to-wear offering spans tracksuits, hoodies, T-shirts, scarves and layering pieces such as leather track jackets and wide-neck polo shirts, many featuring an oversized cursive Balenciaga Paris motif or embroidered script. Bags are updated for the occasion — including a light grey Arena leather Le City East-West bag — while bag charms in the form of lucky horseshoes and red strass-set hearts reference the zodiac.

Footwear receives seasonal treatments with the Hamptons and Track Sneakers presented in exclusive colourways accented with red detailing and scribbled laces. Supporting the launch is a short film and photography series shot in Shanghai by John Yuyi which captures actors Ma Sichun, Yang Chaoyue and Chen Feiyu alongside content creators JM and Tan Suan enjoying Lunar New Year traditions, from shopping for Bingtanghulu fruit sticks to taking in the city skyline from a rooftop. This Balenciaga capsule collection integrates the Maison’s visual identity with cultural symbolism for a regionally resonant celebration.

Ralph Lauren 2026 Lunar New Year Gift Guide

Ralph Lauren marks the Year of the Horse with a comprehensive Lunar New Year capsule highlighting “Lunar New Year Essentials” spanning multiple lines — from Ralph Lauren Collection and Purple Label to Polo Ralph Lauren, Lauren Ralph Lauren and children’s ranges. Across the offering, festive designs reinterpret wardrobe staples through seasonal motifs and colourways associated with prosperity and renewal.

Key pieces include silk blouses, lambskin jackets, wool-silk sweaters, cashmere knits and the Lunar New Year Polo Bear sweaters, alongside coordinating skirts and dresses. Accessories complement the apparel, with calfskin and suede bags, tote and crossbody options and seasonal scarves, beanies and caps. The children’s range mirrors adult themes with Polo Bear and horse-inspired prints on reversible jackets, zip sweaters and cotton-wool ensembles. Ralph Lauren’s capsule integrates signature silhouettes with Lunar New Year motifs, offering a full wardrobe and accessory edit designed for gifting and festive dressing, while extending the Maison’s equestrian and preppy aesthetic into culturally resonant seasonal editions.

CELINE

CELINE celebrates the Year of the Horse with a Lunar New Year capsule centred on the symbolism of wishing trees, a folk tradition representing hopes, fortune and renewal. The collection is visually anchored by a central installation of a towering evergreen adorned with thousands of CELINE scarves and ribbons, creating a striking interplay between fashion and cultural ritual. Campaign imagery by Kin Chan Coedel captures this installation within a scenic Chinese landscape, while fashion photography by Zhong Lin presents the collection on models in a variety of festive silhouettes, underscoring the collection’s vibrant, celebratory mood. Through scarves, accessories and ready-to-wear, CELINE translates the traditional motifs of prosperity and aspiration into pieces that are both wearable and culturally resonant, emphasising colour and narrative over overt festive branding.

Fendi

Fendi marks the 2026 Year of the Fire Horse with a capsule collection for women and men that draws on the colour-blocking and floral motifs of the Spring/Summer 2026 runway, reinterpreted in shades of light blue, pink and yellow to infuse energy into the label’s signature FF logo knits. The capsule’s accessories on the other hand, feature new BFF Mini and Maxi charms adorned with red hues and auspicious motifs, including persimmons and peanuts, referencing the Chinese phrase for good fortune. Women’s ready-to-wear pieces include dresses, coats and accessories with delicate embroidery and floral-inspired FENDI logos, while menswear features windbreakers, hoodies and T-shirts that translate the Spring/Summer palette into wearable festive elegance.

A short film accompanying the launch depicts the BFF charms preparing Jiaozi together, culminating in the dumplings arranged to form the FENDI logo, underscoring the collection’s themes of family, reunion and craftsmanship. Additional jewellery pieces incorporate the Maison’s signature gold and red colour accents to offer limited-edition, highly detailed pieces that convey celebration while bringing consumers’ attention to artisanal detail and opening the brand to further avenues of profit aside from their ready-to-wear pieces.

Montblanc Chinese New Year 2026

Montblanc celebrates the Year of the Horse with a Lunar New Year capsule collection that highlights the Maison’s expertise across writing instruments, leather goods and timepieces while reflecting themes of renewal and optimism. At the centre of the collection is The Montblanc Horse — an original illustration by Artistic Director Marco Tomasetta depicting a galloping horse emerging from a flowing fountain pen line, accompanied by infinity-shaped clouds that reference both the brand’s craftsmanship and the cultural significance of the number eight as a symbol of prosperity.

The capsule includes a Thin Briefcase and Mini Crossbody in embroidered gabardine with leather detailing, alongside a Pen Pouch, Passport Holder and Notebook in printed Sartorial leather. Writing instruments feature the Meisterstück Golden Hour Solitaire, with engraved hexagon patterns beneath translucent burgundy lacquer, gold-coated fittings and a handcrafted Au 750 gold nib and the Meisterstück Burgundy Red, reimagining Montblanc’s classic pen in deep burgundy resin with a bi-colour Au 585 nib.

The Maison also extends the theme to watches with the Star Legacy Moonphase Limited Edition 1786, featuring a burgundy-patterned dial, rose-gold moon and stars and the MB 24.31 automatic movement in a 42mm stainless steel case. Across categories, the capsule emphasises red and gold colourways to evoke good fortune, while presenting limited-edition pieces designed to mark new beginnings with functional (and symbolic) craftsmanship.

MCM

MCM’s Lunar New Year collection draws on the zodiac’s associations with freedom, vitality and forward momentum. Central to the campaign is the motif of the chess knight — a symbol of unconventional movement and decisive choice — reflecting both the agility of the horse and the strategic discipline of the game. The collection features upcycled Aren bags in Cognac Visetos, hand-painted with the knight motif to transform classic pieces into limited-edition expressions of individuality and purpose. Pieces include the Year of the Horse Aren Shoulder Bag, Aren Chain Shoulder Bag and the Aren Crossbody, each designed to reinforce the concept of intentional movement. The campaign also sees immersive visuals and global activations, emphasising the idea that progress is achieved through confidence and decisive action. The collection provides a contemporary interpretation of Lunar New Year symbolism through contemporary design and artisanal detailing.

Emporio Armani

Emporio Armani’s Lunar New Year collection features motifs drawn from the zodiac horse, expressed through diamond accents, three-dimensional flocking techniques and detachable golden horse charms, which serve as a nod to renewal and fresh beginnings. Womenswear pieces include T-shirts and tops with understated horse detailing, tweed suits with removable charms, jeans, midi skirts, cotton coats, down gilets, jersey knitwear, sweatshirts and scarves. The men’s wardrobe encompasses velvet suits, bomber and hooded jackets, sweatshirts, T-shirts, polo shirts, trousers and coordinated scarf-and-cap sets.

The campaign is fronted by Emporio Armani global ambassador Jackson Yee, alongside Greater China and Asia-Pacific ambassadors Zeng Shunxi and Bai Lu, highlighting the versatility of the capsule. Zeng Shunxi wears the men’s 2026 Chinese New Year automatic watch with an openwork dial and brown leather strap, complemented by gunmetal jewellery with zircon details, while Bai Lu showcases the women’s edition with a mother-of-pearl dial, flake pattern, stone-set horseshoe accents and a burgundy croco-patterned strap.

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