A measure passed by the House to keep the government funded has until the end of Friday to pass the Senate and avert a shutdown.
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What You Need to Know If Decisions Stress You Out
“There are no right or wrong decisions, only choices.” ~Sanhita Baruah
When I was younger, everything felt simple. Not necessarily easy, but simple in the sense that there was always a next step. A clear direction. A right way to do things.
If I studied, I’d pass the test. If I practiced, I’d get better at my sport. If I followed the rules, I’d stay on track. Life moved forward in a straight line, like climbing the rungs of a ladder—one foot after the other, up and up and up.
I didn’t question this structure because it was all I knew. And honestly? It was comforting. The certainty of it all. The feeling that as long as I did what I was supposed to, things would work out. Teachers handed out syllabi at the start of the year, neatly mapping out what was coming. Coaches had game plans. Parents had advice. Even when things got hard, there was always a framework. A way forward.
I think about how movies portray childhood memories—colors cranked up to impossible brightness, the world rich and saturated, full of warmth. Because when you’re a kid, things feel solid. The rules make sense. The paths are laid out. You don’t realize how much of your life is being decided for you, and in a strange way, that makes things feel safe.
Then, at some point, it all disappears. The structure. The guideposts. The sense of certainty. And suddenly, life stretches out in front of you like a blank map, and you’re holding the pen, unsure of what to draw.
That moment—the moment you realize no one is handing you the next step anymore—is terrifying. Because if there’s no clear “right” choice, what’s stopping you from making the wrong one?
There wasn’t a single moment when it all changed. It happened gradually, like the end of a song fading out until you realize there’s no music playing anymore.
At first, I kept waiting for the structure to return. I thought maybe adulthood had its own version of lesson plans and progress reports, that someone—anyone—would step in and hand me a checklist of what to do next. But that never happened. Instead, I was met with an unsettling quiet.
No more automatic next steps. No more guarantees.
And with that silence came an unexpected weight.
I started second-guessing everything. Not just the big, obvious life decisions, but the small, everyday ones too.
Was I supposed to stay where I was or move? Take this job or hold out for something better? Was I wasting time? Making the wrong choices? Shouldn’t I know what to do?
I realized then that I had spent years assuming every decision had a right answer. That life was a series of multiple-choice questions, and if I just looked hard enough, I’d find the correct one. But now, it felt like I was staring at a blank page, trying to write in pen, afraid of messing it up.
No one told me how heavy uncertainty could be.
And the worst part? I started believing that not knowing meant I was failing. That if I wasn’t moving in a clear direction, I must be doing something wrong. I looked around at other people—some who seemed so sure of their path—and wondered why I couldn’t feel that same clarity.
But then I asked myself: What if they’re just as unsure as I am?
What if we’re all just making it up as we go?
For so long, I thought the goal was to figure out the right path. To make the right choices. To avoid the wrong ones at all costs. But lately, I’ve started wondering: What if there isn’t a right choice? What if there’s just… a choice?
That question should feel freeing, but for a long time, it paralyzed me.
I became so obsessed with making the “right” move that I stopped moving altogether. Every option felt like a risk. If I picked wrong, I’d waste time, waste effort, maybe even waste years. What if I chased the wrong career? Moved to the wrong city? Invested in something that wouldn’t pay off? Every path had its unknowns, and instead of picking one, I stood still, overthinking every possibility.
And the longer I stood still, the harder it became to take any action at all.
I convinced myself that not deciding was better than making the wrong decision. That staying in place was safer than stepping in the wrong direction. But that’s the thing about waiting—nothing changes. The fear doesn’t go away. The answers don’t magically appear. You just sit in the same uncertainty, hoping for clarity that never fully comes.
At some point, I had to ask myself: What if the only way forward is to move, even if I’m not sure? What if the worst outcome isn’t choosing wrong, but never choosing at all?
So maybe the next thing isn’t the “right” thing. Maybe it’s just something. A step. A choice. A movement.
And maybe that’s enough.
At some point, I realized that life wasn’t black and white—but it also wasn’t gray. Gray implies balance, a predictable mix of extremes. Something stable. But that’s not what life feels like. Life is more like an off-white—uncertain, shifting, something that looks different depending on the light.
I used to think uncertainty was something to fix. A problem to solve. But what if uncertainty isn’t the enemy? What if it’s just part of being alive?
The truth is, I don’t know if I’ll ever feel 100% certain about anything. And maybe that’s okay. Maybe I don’t need to know. Maybe the point isn’t to eliminate doubt but to learn how to exist alongside it. To accept that I can move forward without having every answer.
Some days, that’s easier said than done. On those days, I remind myself:
- Not knowing doesn’t mean I’m lost. Just because I don’t see the full path doesn’t mean I’m not on one.
- No decision is final. Even if something doesn’t work out, I can pivot. I can start over. I can change my mind.
- Other people don’t have it all figured out either. Some just got better at pretending.
- Waiting for clarity won’t bring clarity. The only way to figure out what works is to try something. Anything.
I used to think confidence meant being sure of everything. Now, I think it means being okay with uncertainty.
Life is never going to be neat or obvious. It’s never going to fit into clear categories of right and wrong. But maybe that’s the beauty of it—maybe life is meant to be lived in the off-white.
I think back to all the times I agonized over a decision, convinced that one wrong move would ruin everything. I stressed, I overanalyzed, I played out every worst-case scenario in my head. And yet, when I look back now, most of those choices—whether they turned out “right” or not—don’t carry the same weight they once did.
Some of the things I worried about didn’t matter at all. Other things didn’t go how I expected, but they still led me somewhere meaningful. And the most surprising part? Some of my so-called “mistakes” ended up being the best things that ever happened to me.
At the time, I didn’t see it that way. At the time, I was convinced I had taken a wrong turn. But looking back, I can see that every decision—good, bad, uncertain—shaped me.
The job I took because I thought I had to? It taught me what I didn’t want.
The opportunity I turned down out of fear? It made me realize I needed to be braver.
What I once saw as missteps were actually just steps—part of the path, part of the process.
I wonder what choices I’m agonizing over right now that, in a few years, I’ll see differently. I wonder if I’ll laugh at how much I overthought things, how I was so afraid of getting it wrong when, in the end, everything was just unfolding the way it needed to.
It makes me think: If I’m going to look back someday and see that everything worked out one way or another, then why not trust that now? Why not let go of some of the pressure?
Maybe I don’t need to know if I’m making the perfect decision. Maybe I just need to make a decision and trust that I’ll figure the rest out along the way.
I used to believe that one day, I’d wake up and just know. That clarity would arrive like a neatly wrapped package—here’s your answer, here’s your direction, here’s the certainty you’ve been waiting for.
But that day never came.
And I don’t think it ever will.
Because life doesn’t work like that. There’s no singular moment where everything clicks into place. No guarantee that the path we’re on is the one we were “meant” to take. No cosmic confirmation that we’re doing this whole life thing correctly.
And maybe that’s not a bad thing.
Maybe the goal isn’t to have everything figured out. Maybe the goal is to get comfortable not knowing. To make peace with the ambiguity instead of fighting it. To stop treating life like a problem to solve and start seeing it as something to experience.
So what if I don’t know what’s next? So what if I don’t have a perfect plan? I’m still here. I’m still moving. I’m still learning.
And maybe that’s enough. Maybe I’m enough. Right now. In the middle of the uncertainty. In the middle of the mess. In the middle of the off-white.
About Kyle Hughes
Kyle Hughes is a banker, entrepreneur, and creative dedicated to generating prosperity through finance, business, and psychology. A native of North Texas and Southeastern Oklahoma, he is committed to investing in businesses and communities to help the region thrive. As the founder of Visionary Group LLC, he leverages strategy and innovation to create opportunities for sustainable growth. Kyle shares insights on business, finance, and intentional living at KyleHughesOfficial.com.
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The Art of Collection with George Herbert of Art Space
In an exclusive interview with LUXUO, George Herbert, CMO of Art Space (www.artspacefairs.com), reveals his insights on building a meaningful art collection and highlights the must-see artists at the company’s forthcoming London Exhibition.
Art collecting can seem intimidating to many. What’s your approach to helping first-time collectors enter this world?
The most common misconception I encounter is that art collecting requires inherited wealth or an art history degree. In reality, it’s about developing your eye and allowing yourself to be moved by pieces that speak to you personally. I always advise new collectors to start by exploring — visit galleries, art fairs, and museums, and develop a sense of what resonates with them.
So where should a new collector begin their journey?
Limited edition prints from established artists offer both accessibility and investment potential. You’re not just decorating a wall but participating in cultural history. Our upcoming Art Space Art Fair in London features several artists whose work is perfect for seasoned collectors and newcomers. It’s about finding that balance between emotional connection and investment wisdom.
Speaking of your London Exhibition, which artists should our readers be particularly attentive to?
We’re particularly excited about Michael Dargas, whose photorealistic oil paintings often depict subjects partially obscured by honey or water. His works display extraordinary technical precision that rewards close inspection. His limited editions start around GBP 2,000 (if you are fast enough to get your hands on them — a sound investment for a first-time collector.
Lhouette is another standout. He creates fascinating mixed-media pieces that blend street art with luxury iconography. He represents a compelling bridge between high and low culture, speaking to a generation raised on brand consciousness but yearning for authentic expression.
Art Space prides itself on consistently discovering hot and emerging talents. Who should collectors watch at this year’s exhibition?
Sannib’s abstract expressionist canvases have been gaining significant traction in European markets. His work demonstrates how collecting can be about emotional resonance rather than simply recognisable imagery. His colour fields create a meditative atmosphere that transforms living spaces.
Dan Pearce is also generating considerable buzz with his mixed-media portraits that incorporate everything from spray paint to shattered glass. They’re conversation pieces with genuine investment potential. His limited editions provide an accessible entry point for collectors interested in the evolution of portraiture in the digital age.
The name Mr. Brainwash always creates excitement. What can visitors expect from his exhibition?
Mr. Brainwash remains an enigmatic yet undeniably collectible figure following his appearance in Banksy’s documentary “Exit Through the Gift Shop.” For Art Space Art Fair London, he’s showcasing several pieces that continue his exploration of pop culture iconography with his signature irreverent twist. They’re bold, provocative, and — importantly for collectors — instantly recognisable.
Art Space is building a reputation for curating experiences beyond traditional exhibitions. What unique elements can visitors expect in London?
We’ve created a luxurious gallery-style vibe, working closely with the venue to create a unique space to showcase over 50 artists at each show. We also offer personalised collection consultations for those looking to begin or expand their art portfolios. The exhibition space has been designed to create a dialogue between diverse artistic voices—urban art interacts with abstract expressionism and photography with sculpture. It’s about creating unexpected connections.
What’s your single most important piece of advice for the luxury collector venturing into the art world?
Buy what moves you, but do your homework. The intersection of passion and knowledge is where truly satisfying collections are built. Understand the artist’s trajectory, their significance within contemporary movements, and their market performance—but never lose sight of that intuitive response that draws you to a particular work. A meaningful collection reflects both astute judgment and personal narrative.
How can our readers experience the Art Space Art Fair London?
The Art Space London Exhibition starts on March 14th with two incredible back-to-back shows showcasing different artists, so be sure to book tickets for both at www.artspacefairs.com. If you’re keen to book a private viewing, please email us, and our team of advisors can book you in and provide valuable context and guidance tailored to individual collection goals.
About Art Space
Launched in 2024 Art Space is a new and innovative platform dedicated to putting the artist back in control of their art. Unlike traditional art fairs, where trade margins and industry conventions often take priority, Art Space places the artist at the heart of everything it does. “We go beyond the standard fare, offering fair compensation and the visibility artists deserve, ensuring that their work is celebrated on a global stage.” – George Herbert, Art Space
Debuting in London in Spring 2025 with two consecutive shows, Art Space is on a mission to expand the senses and evoke deep emotions with some of the most impressive artists in the world, all the while setting a new benchmark within the art space.
For more on the latest in culture and art reads, click here.
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Art Space Art Fair Arrives in London to Champion Artists This March
London’s art scene is set for a shake-up this March as the Art Space Art Fair makes its highly anticipated debut at Dockside Vaults, St Katharine Docks. More than just an exhibition, the event is positioning itself as a platform that puts artists first, challenging industry norms with a model that prioritises visibility and fair compensation.
“We are not merely hosting an exhibition. We are crafting a global platform that honours artistic excellence with unparalleled compensation and visibility,” says George Herbert of Art Space.
Running from March 14, 2025, the fair will unfold over two consecutive showcases, offering collectors, connoisseurs, and art enthusiasts a chance to discover an array of never-before-seen works. The event brings together established names such as Michael Dargas, Sannib, Dan Pearce, and Mr Brainwash, alongside emerging talents like Chloe Cox, Monica Popham, Nancy Whitehead, and Colin Banks.
Art Space aims to redefine the traditional art fair experience by ensuring artists receive the recognition they deserve while fostering meaningful conversations through groundbreaking works. With plans to expand to Monaco, Marbella, and Seville, London marks the beginning of what promises to be a global movement.
Show dates are from Friday, 14 March – Tuesday, 18 March, and Friday, 21 March – Tuesday 25 March 2025. Tickets are free and available online.
For more on the latest in culture and art reads, click here.
The post Art Space Art Fair Arrives in London to Champion Artists This March appeared first on LUXUO.
Can Whisky Capture the Highest Gun Salute’s Grandeur?
Royal Salute whisky is fancy, no doubt. Regality is in its name and heritage is in its blend. Perhaps it wasn’t enough to have a range dedicated to the esteemed equestrian sport of kings. Or an Asia-exclusive Cognac Cask Finish. Or a 52 Year Old gem for true collectors. No, a monarch is never satisfied until he conquers more.
The exceptionally aged Scotch whisky one-ups itself with a trinity that honours its sovereign ties like never before. Not only does the 62 Gun Salute collection pay homage to the most prestigious ceremony existing in United Kingdom history; each of the three bottles is a symbol of Crown Jewels.
See, 41 gun salutes mark royal occasions. An additional 21 firings when it’s held within the City of London could only mean the deal is very big indeed. The rare spectacle only witnesses a regent birth, ascension, or coronation.
The sound of cannons, the bright flares and drifting smoke are all sensations of this grandiose tradition that these blends evoke. Two new expressions, The American Oak Reserve and The Peated Reserve, join The Original Reserve to form this permanent trio.
The 62 Gun Salute Collection
The Original Reserve already counts receiving IWSC Gold Outstanding at 98 points twice amongst its accolades. It finds its latest, well-earned home in a magnificent blue decanter echoing the Stuart Sapphire. The modern silhouette, signalling that this isn’t your regular Royal Salute, is also adorned with a gold neck collar and bejewelled enclosure.
This major bling also carries onto The American Oak Reserve. The striking deep red flagon takes after the Black Prince’s Ruby set, encapsulating the raw power of the special salute with a higher proportion of whisky aged in the finest — obviously — American Oak. It has since scored Gold at ISC on debut last year.
Completion comes in a smoky rendition, The Peated Reserve. Its complexity is a result of including malts from lost distilleries like Caperdonich in its blend; a distinct profile earning a Double Gold at ISC 2024 as well. Here, the elegant green casing inherits the 11 emeralds’ splendour.
Martin Tower, Tower of London (left) and Treasures Collection (right)
Residency in the Tower of London
How apt for the very landmark that holds gun salutes to carve a space for Royal Salute. Up a short flight of narrow stairs in the 13th century Martin Tower resides the first brand in the world to settle within the iconic Tower of London. Access is by invitation only.
The cosy nook is anchored by two antique cabinets that once kept the Cullinan and Koh-i-Noor diamonds safe. Today, they host the eminent 62 Gun Salute collection and their array of key essences. The brand unveils the range through interactive storytelling that activates upon placing your dram on the table.
Treasures Collection, precious creations dating as far back to its inception in 1953, also sit ready for savouring. In humbly unanimous bottling bereft of bells and whistles, each is distinguished only by inscriptions on a leather tag.
While you may probably never get to experience this exclusive whisky library in your lifetime, this triple trove awaits to induct you into a whisky empire fit for a king.
The Royal Salute 62 Gun Salute Original Reserve and American Oak Reserve are available at select retailers including Grand Cru and The Whisky Distillery. The Peated Reserve is available as a global travel retail exclusive in duty free airports worldwide.
This article was first seen on Esquire Singapore.
For more on the latest in alcohol and luxury spirits stories, click here.
The post Can Whisky Capture the Highest Gun Salute’s Grandeur? appeared first on LUXUO.
Farewell, Free Bags: Soon, Every U.S. Airline Will Charge You to Check Luggage
It’s the end of an era.
Southwest Airlines, which has not charged passengers for their first two checked bags since its founding nearly six decades ago, said on Tuesday that it will roll out a schedule of luggage fees for flights booked on May 28 and after.
The end of the beloved free-baggage policy is part of a spate of changes aimed at helping the airline “return to levels of profitability that both we and our shareholders expect,” Southwest CEO Bob Jordan said in an announcement.
The airline said it would continue to offer two free checked bags to “A-List Preferred” and business-class passengers. “A-List” passengers will get one free checked bag, and Southwest rewards cardholders will receive a credit statement reimbursing the baggage fee. One personal item and one carry-on bag will remain free.
Southwest hasn’t yet released details on how much checked bags will cost, though rival carriers usually charge between $40 and $75 per checked bag.
The company’s luggage policy reversal comes at a difficult time for the airline industry.
Earlier this week, major airlines cut their earnings estimates, citing economic uncertainty as consumers and businesses trim their travel budgets. California wildfires, recession fears stemming from President Donald Trump’s tariff war, halted travel among government workers and a series of major plane crashes and malfunctions in recent months have all contributed to the industry’s woes.
In February, Southwest said it plans to lay off 15% of its corporate workforce, or about 1,750 people. And in September, the airline announced it was getting rid of another longstanding policy: open seating. Assigned seating is expected to begin in 2026.
How much do other airlines charge?
Southwest was a lone holdout among major U.S. airlines, which have all started charging for checked bags over the past decade or so. American Airlines was the first to charge a checked-bag fee amid the Great Recession in 2008.
The practice has proliferated in the industry since then, becoming a major source of revenue for airline carriers. According to a 2022 study, baggage fees account for 3.3% of revenue of the major legacy airlines (such as American or Delta). For budget airlines such as Spirit or Frontier, those fees make up over 21% of revenue.
Here’s a look at airline baggage fees today among popular airlines for standard economy-class tickets.
American Airlines
- Free small personal item and one carry-on bag
- First checked bag is $40 (or $35 if paying online) for domestic flights. Second bag is $45.
- One free checked bag on select international flights
Delta Airlines
- Free small personal item and one carry-on bag
- First checked bag is $35 each way. Second bag is $45 each way for domestic flights.
- One free checked bag on certain international flights
JetBlue
- Free small personal item and one carry-on bag
- First checked bag is $45. Second bag is $60 for domestic flights.
- For transatlantic flights, first bag is $65, and the second bag is $105.
- Costs may increase $5-$10 per bag during peak travel times.
United Airlines
- Only one personal item is free for domestic flights.
- First checked bag typically costs $40 for domestic flights, and the second bag is $50. A $5 pre-pay discount may apply.
- First checked bag is free on select international flights.
In many cases, airlines offer their own travel credit cards that include free-baggage perks among other discounts.
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Government Shutdown Still Looming: How Your Taxes Might Suffer
The House passed a measure to keep the government funded, but the shutdown threat is still present because the bill may lack votes in the Senate.